
The origins of lace
Born almost simultaneously in Venice and Flanders, pillow lace spread thanks to printed pattern books.

Gold and silver threads, hand-woven one knot at a time. Unique, patented pieces born in our workshop in Scanno.

From 16 to 22 November, at via Spartaco 11, Federica and Francesco will be there to let you see, try on and touch the jewels.
Federica is a lace-maker, Francesco is a goldsmith. Together they brought the tombolo of Scanno, the lace that the women of Abruzzo have handed down for centuries, into the world of jewellery.
Il Gioiello del Tombolo was born in 2012: creations made entirely by hand, the result of two methods studied and perfected over the years by the two artisans. Each piece takes days, weeks, sometimes months of work.
A job for four hands, with a simple principle: the goldsmith supporting the lace-maker. The result is a jewel that did not exist before, protected by a patent.
Federica creates the design and fixes it onto the tombolo, the pillow on which every pattern is born.
With the bobbins, onto which she has wound a special metal thread, Federica begins to weave.
Francesco, the goldsmith, makes in gold or silver the “perforated metal anchoring system” along the perimeter of the lace.
With needle and metal thread, Federica attaches her lace to the goldsmith's structure. The jewel is ready.




She weaves the lace, he builds the structure that makes it wearable. A job for four hands, in the workshop in Scanno.
Francesco is a second-generation goldsmith: he learned by watching his father Dino in his workshop. Federica brings the mastery of tombolo lace. From the meeting of the two crafts comes a jewel that did not exist before.
Three things to know about an art that has survived for five centuries.

Born almost simultaneously in Venice and Flanders, pillow lace spread thanks to printed pattern books.

According to tradition, it was the wives of Lombard master builders who taught it to the women of the town during the long winters.

A padded roll, pairs of bobbins, pins and a pattern: agility of hands and mind, one stitch at a time.

The best way to understand a tombolo jewel is to see it being born. Drop by the workshop, try the pieces on, ask us how they are made.

The ancient art of Scanno tombolo meets the avant-garde of New York.

A dedicated atelier at via delle Tre Marie, 18.

Via Spartaco, 11 · Porta Vittoria / Porta Romana. Federica and Francesco, owners and creators, will be there in person. From 23 November to 15 December the creations remain in Milan at via della Chiusa, 3.
The jewels of “IL GIOIELLO DEL TOMBOLO” are handmade by Federica Silvani and Francesco Rotolo.
Federica creates the drawing and she pins it on the bolster, then she wraps a particular metal thread in the bobbins and she starts creating the weft.
After finishing her jewel, Federica gives it to Francesco Rotolo, the goldsmith and he creates the structure called “sistema di ancoraggio forato metallico per lavori tessili” (system of metal perforated anchorage for textile works). This system develops along the perimeter of the pillow lace work. After finishing his work, Francesco gives it to Federica and she puts her creation on the goldsmith’s work by using a needle and a metal thread.
The principle that inspired this enterprise was: the goldsmith supporting the lace maker.
The result of this synergy is the creation of “IL GIOIELLO DEL TOMBOLO”. These jewels didn’t exist in the past and now they are protected by a PATENT.
This patent protects particularly the “sistema di ancoraggio forato metallico per lavori tessili” (system of metal perforated anchorage for textile works). This system has a triple function: make these handmade items wearable, protect them from usury and valorize their aesthetic value.
The system can be made of gold (yellow, white, red) or made of silver.
